Zero Positive


As the play begins a young man, Himmer, is trying to console his father on the death of his long estranged wife (and Himmer’s mother) whom neither has seen for many years, but the older man, Jacob, is apparently more interested in his model trains. Himmer then conceives the idea of honouring his mother’s memory by staging a verse play, “The Ruins of Athens,” which she had written in her youth, but, in the meantime,- his friend Samantha, a compulsive lover of married men, arrives to inform him that both she and he have tested seropositive to the HIV test – which means that both are harbouring the AIDS virus, if not actually stricken with the disease. To Himmer, once married but now a declared homosexual, this constitutes yet another instance of the futility, the purposelessness, the random cruelty of modern life, but he forges ahead nevertheless, abetted by his friend Prentice (who is recovering from the breakup of a long-standing gay relationship); an actor, Patrick (who is suicidally despairing about the status of his career); and Debbie (an eccentric young heiress with a penchant for older men who is smitten by Himmer’s poet-father). Eventually Himmer and the others do indeed perform the play, albeit at an AIDS research center to which they have retreated and where, with a customary mixture of angst and dismay, Himmer decides, to substitute real poison for the hemlock called for in the final scene of his mother’s epic – thereby providing, for those who wish it, an easy means of exit from a world which seems to make little sense in the first place.

Production History:

ZERO POSITIVE was first produced by Joseph Papp at the Public Theater in New York City in June 1988. It was originally directed by Mark Linn-Baker with sets by Adrianne Lobel, costumes by Susan Hilferty, and lighting by Natasha Katz.  The cast was:

Himmer: Reed Birney
Jacob Blank: Edward Atienza
Samantha: Frances Conroy
Prentice: Richard McMillan
Patrick: Tony Shalhoub
Debbie Fine: Beth Austin

During previews, the playwright fired the leading man, and the director quit. Kenneth Elliott took over the direction, and David Pierce took over the role of Himmer.

In February 1991 the play was produced in German (ZERO POSITIV, translated by Ursula Grutzmacher-Tabori) at Schauspielhaus Wien. It was directed by Hans Gratzer. The set was designed by Mark Beard. The cast was:

Himmer: Dirk Nawrocki
Jacob Blank: Erich Schleyer
Samantha: Ute Uellner
Prentice: Eduard Wildner
Patrick: Thomas Kretschmann/Sebastian Eckhardt
Debbie Fine: Christine Kaufmann


ZERO POSITIVE was first published in American Theatre magazine, September 1988. It was subsequently included in the anthology The Way We Live Now: American Plays & the AIDS Crisis, edited by M. Elizabeth Osborn (Theater Communications Group, 1990). It’s also available from Dramatists Play Service (1988).


Sonia Taitz, “A Meditation on Death Gets a New Life,” New York Times feature, May 15, 1988
Frank Rich, New York Times review, June 2, 1988
Joe Brown, “Theater: Sad Plus Funny Equals ‘Zero,” Washington Post review, March 12, 1990
Joe Brown, “Accentuating His ‘Positive,” Washington Post feature, April 20, 1990

Photos from the New York premiere production:

Rehearsal of Zero Positive at the Public Theater: Edward Atienza, Harry Kondoleon, Mark Linn-Baker, and Reed Birney

Director Ken Elliott, actor David Pierce (aka David Hyde Pierce), and Harry Kondoleon, in rehearsal for “Zero Positive 2.0”

Photos from the Vienna production:

If you’ve ever seen or worked on this show and would like to share your experience, please comment below.



  1. Performance diary: Harry Kondoleon’s ZERO POSITIVE at the Public Theater’s New Work Now | another eye opens - [...] strongest plays in the body of work by Kondoleon, who sadly died of AIDS in 1994 at the age…

Submit a Comment

Your email address will not be published.